Questions (and observations) about the PG-Film.
01. Why was the creature walking hunched over?
Being bent forward at the waist is an inefficient way to walk, taxing the back muscles. Animals (mammals) are usually very efficient. Inefficient creatures just don't survive based on calorie intake vs output. More an observation than a question.
02. Why did the creature merely walk off the scene?
One of the biggest criticisms of the film is the creature walks off (at least superficially) like a man-in-a-suit. Why not choreograph -some- ape or animal-like moves? More an observation than a question.
03. Why did the creature not make any vocalizations?
Many mammals make a noise when startled. According to P&G the creature was silent. They make a call to alert others to danger, for instance.
04. Why did the creature not bare the teeth?
This is pretty common and would be expected during the half-turn. More an observation than a question.
05. Why did the creature lift the trailing foot so high, exposing the bottom of the foot, lifting it well off the ground?
Again, it is very inefficient, lifting the whole foot, unless it's evidence of 'striding out' to make longer strides.
06. Why did the creature not seek immediate cover?
Most mammals seek cover first, i.e. deer. Though there's no answer, it is not exactly normal behavior for man, nor beast.
07. Why was it important to say that his horse reared and knocked him off? Is it significant that Gimlin disputes this?
This is pretty odd. If you consider the time needed to recover, get the camera from the saddle bag underneath the horse, it doesn't leave enough time to film.
08. Why did P or G not shoot the creature?
They might have been early conservationists, but they let a half-million dollar prize just walk away. Is it credible they had this pre-arrangement not to shoot? Did anyone ever read anything where they stated this prior to the filming to anyone?
09. Is it reasonable that in the 60s, with the popularity of big game hunting, that two guys would go out on horses to 'film' a creature and not shoot it?
I'd say no, it's not reasonable they wouldn't shoot it. The idea of going out to 'shoot' big game with a camera instead of a gun didn't start up until the 80s or 90s. Is there any evidence that Patterson or Gimlin 're-armed' with heavier weapons after the sighting when they went out. Didn't one say he wasn't sure he could have killed it with a regular rifle bullet. I'd expect this if they really saw a 7ft tall, half-ton creature. ('We're gonna need a bigger gun' theory, haha).
10. After seeing any of his initial filming why did Patterson consider this camera adequate for filming a distant creature?
Some say the camera was too good, showed too much. But for a wildlife camera at 100 yd distances, it wasn't very sharp.
11. Why did Patterson not return to Bluff Creek and set up some kind of blind, tree stand, or semi-permanent viewing area.
To me this is almost a deal-breaker on believability. Roger -knew- there was one (or more) creatures here. Why spend money going to Tibet. IMO, this shows he knows there was no creature in Bluff Creek (for whatever reason).
12. Riding on horseback, why did Bob Gimlin not catch up with the creature?
Would have been extremely easy to catch up with it, get a real good look, and even be safe enough. IMO, most cowboys would have ridden past and herded it back towards their first position to keep it from getting away. (As long as the horse would do it, you're really safe on horseback in the NW USA, even from bear, cougar. Only real danger is snakes)
13. How long does it take to retrieve and wind up(?), remove the lens cap and start filming?
Are there any forum members with a camera like this who could time it? In fact I'm surprised someone hasn't tried to do a complete timed reproduction to see if Patterson shut off the camera at any point or if time is missing.
14. If you're out planning to film a BF, why have the camera stowed?
Many people with cameras, when startled, even when holding the camera forget they have it. Patterson showed -incredible- presence of mind. Very few wildlife photographers ever get a shot if the action starts happening and then they have to unstow and acquire their camera. Is there any camera shake during the steady parts of the filming. I'd expect that even from a pro on a hand-held camera. I don't see any. Why was Patterson so calm? How did he normally carry the camera and film when getting scenery shots. Did he not film from horseback? If so, why not here - why dismount before getting closer? You're more vulnerable off the horse. Maybe he made the claim of being bucked off to explain his 'dismounting'?
15. Why would Patterson not have Gimlin go stand near an object after he changed the film and re-filmed to get an idea of size?
Pretty dumb not to go get control scene shots.
16. Why (if so) choreograph the half-turn?
(Note a quarter turn i.e. a quick head check to see if anything was to the creature's right would have given a profile shot, which is enough of a 'money shot'. No need to do a full half turn and risk losing balance, or to show the front of the suit (assuming for the moment).
17. Was the half-turn done too early?
Again, many, if not most mammals would seek cover. I'd expect the creature not to turn until it reached the tree line. It could still see through the trees, though we could not see much when it turned. So, iow, turn just right for a 'money shot', too soon for survival reasons.
18. Why don't we see any shots of Bob Gimlin riding past Patterson, chasing the creature?
The story says he probably got closer on horseback, but Patterson films until it's almost out of sight. We should see Gimlin riding into frame from the right.
19. Why didn't they find any other trace at the site?
Locard's exchange principle says that there had to be hair somewhere along the track or at the creek side. In a real sighting, you'd crawl along the track way on hands and knees to find hair and other trace, which can be analyzed. It's potentially definitive. No 'footprint casting' will -ever- prove something but scat or hair will. (though less definitive in 1960s, hair is still more valuable than plaster tracks).
20. After he made some money, why didn't Patterson return to the area and film a control scene and/or make a documentary.
Most people who have a real sighting and are able to return to the area (IOW, don't suffer from PTSD) would do so and repeatedly. You'd think he'd get the very best camera he could rent, with sound and go back and recreate the scene in detail. This only adds value to the film, and in fact, adds additional footage. With this footage they could have made a longer documentary, increasing the sale value. It's -very- odd they didn't do this and a least get a HQ control footage reenactment. One would almost expect a compulsion to do so, especially if there were doubters.
Additional Questions.
Why don't researchers ask experiencers if they've seen the PG-film and how closely the creature they saw compares?
I'd almost expect this to be a top question. If nothing else, it could help validate the PG-film (or invalidate it if there was a big difference).
Has anyone (Bill Munn?) ever questioned Patterson's wife, Patty?
Has she either confirmed or denied anything about the film? Won't talk about it? I'd find it hard to believe that Roger wouldn't have let her in on it - most people telling stories have to tell someone. (If she wasn’t told it adds credibility to the sighting being real, imo.)
Is it even -remotely- possible that if staged, that Bob Gimlin was -not- in on it.
I don't see how you could manage this logistics nightmare. Get the whole thing in one take, and have a naive witness. No 'mime' would agree to this, bringing along a guy with a rifle.
Rather than pre-judge my position on this by my questions, bear in mind I'm completely undecided on this. Some questions would prove and some might disprove the reality of the sighting. IOW, just brainstorming, not judging.
