We having fun yet? As the Klamath Scream, has been jumbled into the "coyote or not" mix, here's a new mix of that file. Did the same here as with the Chehalis file. Listen and think about it.

Have fun.

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Anythings possible in a mountain ravine or river bottom when you are getting sound bouncing off multiple edges. I still am wondering where the guy with the bucket over his head was stationed in this one. Makes the Sierra Sounds sound like Frank Sinatra in a relative sense. Nice work GrZhPr I'm waiting for the day we get one of those in Michigan, Louisiana and NC before giving it much further consideration.

I'm convinced this recording is a coyote call, specifically a type of call that's often referred to as a challenge call. Hearing this version just makes me that much more certain.

while i'm no sound expert, i have heard coyote on several occasions and i gotta agree with mr. Monk in that it does sound almost like a dog barking but the re verb that is all too obvious, leads me to believe that the only way it could be a "challenge call" is if it was recorded deep in a cave or some other acoustically perfect auditorium. if it was actually recorded out in the bush, there is no way it would reverberate like this. am i completely wrong with this assumption?

cheers

The limitations of sound enhancement, can't fix everything, including the echoish reverberation. All of the sounds that I've heard of coyote, have sharp, cutting, clear, high end sounds, with no low end, bassal frequencies. This is the problem with all of the Washington sounds I worked with. They all contained low frequencies. Even in a "tunnel", or cave, a coyote wouldn't put out that kind of frequencies, without some feedback from striking surrounding walls, that could input a low frequency harmonic. Without knowing the environment of the recordings, no one knows how a bassal frequency got into these recordings.

i, most definitely agree Grazhopprr.