QUOTE(bipto @ Oct 8 2003, 01:37 PM)
OLN wants to sell advertising by drawing a large number of viewers to their entertainment programing. I have to imagine that their demographic would react positively to the way they've structured the show (i.e., put Autumn up front and show Matt driving the Bounder).
As bipto says, we'd like BF shows to be pieces of investigative journalism; the OLN producers are just applying their standard outdoor-show-template:
A-Hunting We Will Go. But this isn't all bad. As I argued in
my previous post on this thread, I think the net effect of this show will be positive, although not as positive as we would like. E.g., simply by not sniggering at the subject, OLN has made it more likely for members of its audience to file reports, and even come forward publicly. Being outdoorsmen, they are the most likely BF witnesses. And mere neutral coverage has the effect of "mainstreaming" the topic, making it more "thinkable" to the majority. I'm sure the scoftics will be unhappy with this series for those reasons. Their happiness/unhappiness is a litmus test we can apply in making a judgment as to whether some particular piece of coverage is good or bad for Bigfootery.
(By that standard, I also think appearances by Bigfoot notables on the Art Bell show have usually had a positive effect, such as the recent Chilcutt appearance, and earlier interviews with Ray Crowe and a pair of Oklahoma policemen who had two close (20-foot), clear encounters with a big Bigfoot. I'm sure scoftics gnashed their teeth over items like those, and agonized that Bell's 10 million listeners took that stuff seriously.)
There's a well-known saying about "bad publicity" in show biz:
Just spell my name right. I wouldn't go that far, but I wouldn't have to. The OLN series is only "lightweight" publicity.
As far as making an impression on serious people goes, that can be done for one-tenth the cost of a TV documentary, with a PIXE hair-analysis project.
If we're unhappy with media coverage, what I suggest is that BF researchers and organizations who have interviewed witnesses should videotape them, as I suggested in a 1-page article in the August
Bigfoot Co-Op, "Let’s Videotape Testimony & Create Documentaries." If more taped witness testimony were available for TV producers to license, their task of putting together a show would be easier, and their shows would have more credibility. (Plus the creators of such tapes would reap a windfall come B-Day, when there'd be a demand for 24/7 Bigfoot TV-coverage, and owners of any BF videotapes would be provided with a sellers' market.)